HAMILTON to relaunch its #Ham4Ham Digital Lottery for its Broadway return!!

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RAISE A GLASS and get ready to return to THE ROOM WHERE IT HAPPENS! Next week, HISTORY IS HAPPENING for the inaugural Broadway company of Lin-Manuel Miranda‘s Hamilton as it relaunches its run here in THE GREATEST CITY IN THE WORLD. With all of this in mind, the show will be re-launching its popular #Ham4Ham Lottery Rush. This is your chance to NOT THROW AWAY YOUR SHOT to the hottest phenomenon of them all.
It will be done once again as a DIGITAL LOTTERY raffling off a limited amount of $10 tickets for each and every performance through the show’s official AP. Starting now through tomorrow September 9th, 2021, they are raffling off tickets for the show’s historical RE-OPENING WEEK.
The official rules of the lottery will run like this….
1. Subsequent digital lotteries will begin on each Friday at 10am and close the following Thursday at Noon for the upcoming week’s performances.
2. Both winner and looser notifications will be sent between 1:00 PM and 4:00 PM every Thursday for the upcoming week’s performances via email and mobile push notification. If you win, you have only 2 hours to claim and pay your tickets.
3. No purchase or payment necessary to enter or participate.
4. Each winning entrant may purchase up to 1 or 2 tickets.
5. You may enter every week only ONCE. Repeat entries and disposable email addresses will be discarded.
6. Winners can pick up their tickets at the Richard Rodgers Theatre Box Office beginning 30 minutes prior to the scheduled performance.
7. Patrons must be 18 years or older and have a valid, non-expired photo ID that matches the name used to enter. Tickets are non-transferable. Ticket limits and prices displayed are at the sole discretion of the show and are subject to change without notice.
8. Lottery prices are not valid on prior purchases. Lottery ticket offer cannot be combined with any other offers or promotions. All sales final – no refunds or exchanges. Lottery may be revoked or modified at any time without notice. A purchase will not improve the chances of winning.
9. Since we are still coping with the COVID-19 pandemic, all patrons will be required to show proof they are fully vaccinated. If you haven’t gotten the shot, you need to show proof of a PCR COVID-19 test with a NEGATIVE result taken within 72 hours.
HAMILTON’s popular #Ham4Ham Lottery has been getting the buzz since the show’s triumphant success downtown at The Public Theater. When the show made its UPTOWN move, over 700 screaming #HamilFans gathered outside the Richard Rodgers to get their hands on entering the show’s lottery rush for a limited amount of $10 tickets….. 21 FRONT ROW ORCHESTRA SEATS!!! The lottery obviously is well known as #Ham4Ham because of HAMILTON being about the 10 DOLLAR FOUNDING FATHER himself….. Alexander Hamilton.
At that first preview, the show’s creator and original star Lin-Manuel Miranda was super overwhelmed by the response knowing for a fact the show will be a LONG RUNNING SHOW IN BROADWAY HISTORY indeed. At the same time, he and the entire HAMILTON family all came together to create a fun preshow tradition in not letting the #HamilFans feel empty handed. There, The #Ham4Ham Show was born.
Before every drawing of the lottery ticket winners, Miranda (serving as the Emcee) and members of the cast began preparing and hosting outdoor mini-performances allowing lottery participants to experience a part of the show….. even if they lost. Later on during their run, Miranda and the cast would sometimes invite special surprise guests from Broadway favorites, cast members from other Broadway shows, and so much more.
With the response of HAMILTON’s popularity, the live lotteries would draw humongous crowds of people that created a fire hazard on West 46th Street (where the Richard Rodgers Theatre is located). With the crowds being insane, HAMILTON immediately switched and became the first Broadway show to do a now popular DIGITAL LOTTERY in January 2016. However on the first day of the Digital #Ham4Ham, more than 50,000 people entered and caused the show’s website to crash.
While the site crashing situation was being sorted out, the LIVE #Ham4Ham shows continued but was done before the Wednesday Matinee performances only. However those pre-Wednesday matinee crowds (especially when Spring and Summer 2016 came around) continued to grow even TITANIC sized crowds causing 46th Street to shut down.
Miranda continued hosting the #Ham4Ham show till the day he departed the Broadway production of HAMILTON on July 9th, 2016. Following his departure, Tony nominee Rory O’Malley (who succeeded Tony nominee Jonathan Groff in the role of “King George III” fulltime at the time) took over as the #Ham4Ham Emcee.
With the TITANIC sized 46th Street crowds being out of control, the Live Lottery was forced to end on August 31st, 2016. It moved online ever since. For the Pre Raffle Entertainment, the cast ended up posting virtual live performances on the show’s social media.
An Encore edition of the Live #Ham4Ham show happened on August 16th, 2017 in celebration of the official Opening Night launch of The 1st National Touring company (a.k.a THE ANGELICA TOUR) in Los Angeles. Upon Thousands of fans camped and gathered around LA’s Hollywood Pantages Theatre with Miranda serving as the Emcee and a special performance from that original 1st National Touring cast.
HAMILTON will inspire the world once again to RISE UP starting September 14th, 2021 at the Richard Rodgers Theatre.
Who is excited?

HAMILTON Announces the Return of #HAM4HAM Lottery on Broadway (broadwayworld.com)

NYBT TOP 50 TONY AWARDS COUNTDOWN: # 18 – DREAMGIRLS

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WHAT’S HAPPENING BROADWAY FANS?!!! The celebration is on for Broadway’s biggest night just 18 DAYS AWAY. Our hearts are booming with excitement for The 74th Annual Tony Awards. We at New York Broadway Tours continue to play our favorite showstopping performances from previous telecasts coming your way on our TOP 50 TONY AWARDS COUNTDOWN. Live Theater is back, people!!! Are you ready for another powerhouse act?!!!
At # 18 on our countdown, we travel to Chicago in the 1960’s through the 1970’s. There, we meet an aspiring girl group that goes through the ultimate transformation into superstars. Along the way, they discover the drama that goes on when you’re dealing with the price of fame and how it affects their friendship and relationships. This is the legendary smash hit Dreamgirls. With music by Henry Krieger and lyrics and book by Tom Eyen, the show is loosely inspired by the story of Diana Ross and The Supremes and from the history of Motown and R&B.
From the 1982 telecast, the iconic Jennifer Holiday in her legendary performance as “Effie White” along with Ben Harney as “Curtis Taylor Jr.”, Obba Babatundé as “C.C. White” Sheryl Lee Ralph as “Deena Jones”, Loretta Devine as “Lorell Robinson”, Cleavant Derricks as “James “Thunder” Early”, and Deborah Brunell as “Michelle Morris” perform the big ACT 1 FINALE CLIMACTIC showdown confrontation scene. It consists of IT’S ALL OVER and the musical’s signature anthe, AND I AM TELLING YOU I’M NOT GOING.
DREAMGIRLS was first conceived in the 1970’s as a project for actress Nell Carter. The show’s creators Harry Krieger and Tom Eyen previously worked together on a musical adaptation of Eyen’s play THE DIRTIEST SHOW IN TOWN. During that show, they were inspired by Carter in that. Their aim was to create a show all about black backup singers. The original title for the show was called ONE NIGHT ONLY (named after the song in the musical). It was workshopped for Joseph Papp but then was dropped when Nell Carter began working on the soap opera RYAN’S HOPE. A year later, the musical was put back on the table when it got the attention of acclaimed director and choreographer Michael Bennett (the genius behind the Tony and Pulitzer Prize winning A Chorus Line). From there, the show continued with 3 additional workshops entitled BIG DREAMS and then eventually what we know today as DREAMGIRLS. During those workshops, so much of the storyline, songs, dialogue, and casting for the role of “Effie White” kept changing. One of the biggest early versions was that the role of “Effie ” initially dies at the end of Act 1 which did not impress Carter’s replacement Jennifer Holiday causing her to initially drop from the show. Carter later returned to the labs for the roles and then left again for her starring role on the NBC TV show GIMMIE A BREAK. With some of the changes improving in Act 1 and the expansion of “Effie”, Holiday returned to the labs but still focused on the role of “Deena Jones” (played by Sheryl Lee Ralph) causing her to quit again. Meanwhile the creative team continued working the script and after acquiring funding from music industry mogul David Geffen and fellow co-financiers ABC Entertainment, Metromedia, and The Shubert Organization, Michael Bennett brought Jennifer Holiday back in and made sure the 2nd act was rewritten and continued to build up the role of “Effie”.
The show officially arrived on Broadway in 1981 playing the Imperial Theatre running for 1,531 performances. Under the direction and choreography of Michael Bennett, the cast consisted of…
Tony winner Jennifer Holliday (later Julia McGirt, Roz Ryan, and Vanessa Townsell) as “Effie White”,
Tony nominee Sheryl Lee Ralph (later Linda Leilani Brown, and Susan Beaubian) as “Deena Jones”,
Loretta Devine (later Teresa Burnell) as “Lorell Robinson”,
Ben Harney (later Weyman Thompson) as “Curtis Taylor Jr.”,
Obba Babatunde (later Lawrence Clayton and Tony Franklin) as “C.C. White”,
Tony winner Cleavant Derricks (later David Alan Grier and Hinton Battle) as “James “Thunder” Early”, 4
and
Deborah Brunell as “Michelle Morris”.
It was nominated for 13 Tony Awards in 1982 winning 6 including BEST LEADING ACTRESS IN A MUSICAL (for Jennifer Holiday).
DREAMGIRLS went on to tour all across America on and off. One of the most notable touring productions included a stop in New York’s Apollo Théâtre in Harlem back in 2009. Under the direction of Robert Longbottom, the cast featured…
Moya Angela as “Effie White”,
American Idol’s Syesha Mercado as “Deena Jones”,
Tony nominee this year Adrienne Warren as “Lorell Robinson”,
Chaz Lamar Shepherd as “Curtis Taylor Jr.”,
Trevon Davis as “C.C. White”
Chester Gregory as “James “Thunder” Early”,
and
Margaret Hoffman as “Michelle Morris”.
The musical is eyeing plans for its highly anticipated overdue return to Broadway. This new production is based on the show’s recent overdue premiere in London’s West End back in 207. Under the direction and choreography of Tony Award winner (and nominee again this year) Casey Nicholaw, Dreamgirls West End ran at London’s Savoy Theatre for 2 ½ years. Talks were also being made for Glee favorite Amber Riley (who made her West End debut with the production) to reprise her Olivier Award winning performance as “Effie White”. No word has been announced for the official start date or what Broadway house it will be performed in.
In addition to its success on stage, DREAMGIRLS was a worldwide smash hit on the big screen. The film adaptation from Dreamworks Pictures was released in 2006. Under the direction of Bill Condon, the filmed featured an all star cast consisting of….
Oscar, Golden Globe, and Grammy winner Jennifer Hudson as “Effie White”,
Grammy winner and Oscar nominee Beyoncé as “Deena Jones”,
Tony winner Anika Noni Rose as “Lorell Robinson”,
Oscar winner Jamie Foxx as “Curtis Taylor Jr.”,
Keith Robinson as “C.C. White”
Emmy and Golden Globe winner Eddie Murphy as “James “Thunder” Early”,
and
Sharon Leal as “Michelle Morris”
The film was nominated for 8 Oscars in 2007 winning 2 including BEST SUPPORTING ACTRESS (for Jennifer Hudson for her iconic portrayal of Effie). The film also was nominated for 5 Golden Globes that same year winning 3 (including BEST MOTION PICTURE – MUSICAL OR COMEDY).
Today, there are still productions of Dreamgirls around the world.
Isn’t this the ultimate musical for standout powerhouse divas?

NYBT TOP 50 TONY AWARDS COUNTDOWN: # 19 – KINKY BOOTS

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GOOD MORNING BROADWAY FANS?!! Are you ready for The 74th Annual Tony Awards just 19 DAYS AWAY?!! We at New York Broadway Tours are continuing our celebration of Live Theater’s return with our TOP 50 TONY AWARDS COUNTDOWN. We got so many showstopping performances coming your way from previous telecasts. Get ready to BELT IT OUT!!!
At # 19 on our countdown, we pay a visit to a shoe factory in England on the verge of trouble. However, it is saved when the factory owner’s son and a cabaret drag queen form a unique partnership. Time to purchase a pair of…… Kinky Boots!!! Based on the 2005 film of the same name (and inspired by a true story), the show features a score by Tony and Grammy Award winner Cyndi Lauper and a book by Harvey Fierstein.
From the 2013 telecast, Tony nominee Stark Sands as “Charlie Price” along with Tony winners Billy Porter as “Lola”, Annaleigh Ashford as “Lauren”, and members of the original Broadway cast strut their stuff and make the shoes of their dreams a reality with a performance of the show’s ACT 1 finale anthem where all you gotta do…… EVERYBODY SAY YEAH!!!
Kinky Boots The Musical was first conceived by Tony winning Broadway producer Daryl Roth. She first saw the original 2005 film before sharing it with producer Hal Luftig which they both fell in love with the “heart and soul” of the story. Within a year, the rights were secured to adapt the film into a stage musical. Roth and Luftig teamed up with Tony winning director and choreographer Jerry Mitchell along with Tony winning book writer and actor Harvey Fierstein. For creating the score, Mitchell knew of the perfect person that Fierstein was longtime friends with…. Acclaimed Grammy winning singing sensation Cyndi Lauper (which marked her debut as a Musical Theater songwriter). From there, the show began a full 2 ½ year journey of numerous readings and workshops.
Following a successful out of town tryout in Chicago in 2012, KINKY BOOTS officially arrived at Broadway’s Al Hirschfeld Theatre. It waas a smash hit running for an incredible 5 1/2 year run of 34 previews and 2,507 regular performances. Under the direction and choreography by Jerry Mitchell, the cast consisted of…
Tony nominee Stark Sands (later Andy Kelso, Aaron C. Finley, Killian Donnelly, Brendon Urie, Jake Shears, David Cook, Tyler Glenn, and Mark Ballas) as “Charlie Price”,
Tony winner Billy Porter (later Wayne Brady, Kyle Taylor Parker, Alan Mingo Jr, J Harrison Ghee, and Callum Francis) as “Lola”,
Tony winner Annaleigh Ashford (later Jeanna de Waal, Haven Burton, Tony nominee Taylor Louderman, DeLaney Westfall, Kirstin Maldonado, and Carrie St. Louis) as “Lauren”,
Tony winner Lena Hall (later Cortney Wolfson, Shannon O’Boyle, and Caroline Bowman) as “Nicola”,
and more.
KINKY BOOTS was nominated for 13 Tony Awards in 2013 winning 6 including BEST MUSICAL. It also won the Grammy for BEST MUSICAL THEATRE ALBUM.
Along with its success on Broadway, KINKY BOOTS went on to wow audiences in London’s West End (winning the Olivier Award for BEST NEW MUSICAL), several North American National Tours, Australia, and launching various International companies.
During the show’s London run, KINKY BOOTS was captured on a film. It was released in Theaters before later appearing on BroadwayHD, PBS Award winning Great Performances, and now on DVD today. From the stage of the Adelphi Theatre and featuring its original creative team, that filmed cast was led by….
Killian Donnelly as “Charlie Price”,
Matt Henry as “Lola”,
Natalie McQueen as “Lauren”,
Cordelia Farnworth as “Nicola”,
and more.
Today, KINKY BOOTS is available for Licensing by Music Theatre International. It has been performed both in schools, community, and regional theaters everywhere.
Doesn’t this show make you want to strut?

NYBT TOP 50 TONY AWARDS COUNTDOWN: # 20 – BEAUTY AND THE BEAST

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HELLO, BROADWAY FANS! We are just 20 DAYS AWAY till we get to celebrate the return of Broadway’s biggest night and Live Theater. We are talking about The 74th Annual Tony Awards. We have more legendary performances from previous telecasts coming your way on our TOP 50 TONY AWARDS COUNTDOWN. Bring on the showstoppers
At # 20 on our countdown, we experience a classic TALE AS OLD AS TIME like no other. Set in a kingdom right in the heart of France, we meet an arrogant prince cursed and trapped inside the body of a monstrous creature unless he can win the heart of a beautiful girl and earn her love in return. The possibility happens when a smart and intelligent young girl shows up at the castle. We of course are talking about the great classic story of Beauty and the Beast. Based on the 1991 Oscar winning Disney animated film of the same name, the show features a score by Alan Menken, Sir Tim Rice, and the late Howard Ashman and a book by Linda Woolverton. It was the inaugural show that started everything for Disney on Broadway.
From the 1994 telecast, here is the full cast performing a montage / medley of notable scenes and songs from the show consisting of PROLOGUE, ME, BE OUR GUEST, IF I CAN’T LOVE HER, and the Finale reprise of the musical’s titular song.
Beauty and the Beast was first conceived as a Broadway show in 1991 when the original animated film was released. The movie was praised by critics which audiences compared it as if they were seeing a classic Broadway Musical. Even the press itself called it THE GREATEST BROADWAY SHOW IN A MOVIE THEATER! With the response being overwhelming, the Disney team encouraged their former CEO Michael Eisner to give it a try. Even though he did Theater, Eisner was nervous but gave it a try. Transforming the 90 minute cartoon into a full 2 ½ stage musical wasn’t easy. Many questions were asked like…..
How would they make an actor back and forth from a Prince into a Beast?
How do you transform real humans into household objects such as candlesticks, clocks, and teapots?
Luckily by Disney magic, the team came across director Robert Jess Roth, who is a genius at doing spectacular concerts for rock stars. With his previous experiences, he immediately got more inspiration to expand the story. The team found their answers. For the Enchanted objects, Roth and the team came up with an idea that when The Enchantress places the spell on the castle, the humans who get cursed are actually slowly turned into objects as the petals keep falling off the rose. They also came across Jim Steinmeyer and John Gaughan, who is best known for creating unbelievable illusions for David Coperfield in creating many of the show’s special effects.
For the musical, they kept the beloved score by Alan Menken and the late Howard Ashman (who passed away right before the film was released). New to the team included acclaimed lyricist Tim Rice, who helped co-write some new songs in helping expand the story and characters. It took 2 years to develop but the hard work paid off.
BEAUTY AND THE BEAST had its out-of-town world premiere tryout in Houston, TX at the Theatre Under The Stars in the Fall of 1993. It was well received, the production immediately transferred to Broadway in the Spring 1994 where it ran for 46 previews and 5,462 performances. It opened at the Palace Theater before later transferring to the Lunt-Fontanne Theatre. It’s now the 10th Longest Running Show in Broadway History. Under Robert Jess Roth’s direction and choreography by Matt West, the cast was led by….
Tony nominee Susan Egan (later Sarah Uriarte Berry, Kim Huber, Kerry Butler, Christianne Tisdale, Debbie Gibson, Toni Braxton, Andrea McArdle, Sarah Litzsinger, Jamie-Lynn Sigler, Megan McGinnis, Christy Carlson Romano, Brooke Tansley, Ashley Brown, Deborah Lew, and Anneliese van der Pol) as “Belle”,
Tony nominee Terrence Mann (later Chuck Wagner, James Barbour, Jeff McCarthy, and Steve Blanchard) as “The Beast”,
Burke Moses (later Steve Blanchard, Chris Hoch, Christopher Sieber, Patrick Ryan Sullivan, Stephen Buntrock, Grant Norman, and Donny Osmond) as “Gaston”,
Tony winner and the late Gary Beach (later Bryan Batt, Patrick Page, David DeVries, Jacob Young, and John Tartaglia) as “Lumiere”,
Tony nominee Beth Fowler (later Beth McVey, Cass Morgan, Jeanne Lehman, and Alma Cuervo) as “Mrs. Potts”,
and more.
The show went on to be nominated for 9 Tony Awards that year winning only 1 for BEST COSTUME DESIGN (for Ann Hould-Ward).
FUN FACT: One of the musical’s notable songs A CHANGE IN ME (which is the big 11:00 number sung by “Belle” talking about what her life has been since she and “The Beast” became close) was added later into the Broadway run in 1998 when Toni Braxton joined the cast (and made history being the first African American Actress to play “Belle”). It fit so well in the production, it became a favorite of the musical ever since. Later on during the Broadway run the coda was changed to grand higher belt and orchestrations for when Ashley Brown made her Broadway Debut with the show as the 15th Actress ever to play “Belle”, In most productions today, they use the high coda.
Following the success of the Broadway company, BEAUTY AND THE BEAST went on to become a worldwide spectacular family musical. It has played on 6 continents and translated into every major language. For many children, it was their first Broadway show. There were productions everywhere from London’s West End, Australia, Tokyo, Korea, multiple touring companies around the world,
Currently, BEAUTY AND THE BEAST recently launched a brand new company touring in the UK featuring the majority of the original creative team. It includes full updates to the sets, costumes, staging, and a full diverse cast.
Today, BEAUTY AND THE BEAST is still performed in Schools. Community, and Regional Theaters everywhere.
How timeless is this show?!!

NYBT TOP 50 TONY AWARDS COUNTDOWN: # 21 – OKLAHOMA!

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HOWDY BROADWAY FANS!! OH, WHAT A BEAUTIFUL MORNIN’ it is celebrating the return of the Great Bright Way and The 74th Annual Tony Awards just 21 DAYS AWAY. We at New York Broadway Tours have more of your favorite highlighted performances from Broadway’s biggest night coming your way on our TOP 50 TONY AWARDS COUNTDOWN.
At # 21 on our countdown, we have chosen an iconic musical classic. We’re about to make our way to a small farm country outside the town of Claremore, Indian Territory, in 1906. This territory would eventually become a well known state. There, we meet a heart throb romantic cowboy and a very dark, filthy, and abusive hired hand fighting for the romance of a young farm girl. This is the legendary Great American Musical OKLAHOMA!. Featuring a score and book by Richard Rodgers and Oscar Hammerstein II, it’s based on Lynn Riggs’ 1930 play GREEN GROW THE LILACS.
From the last telecast back in 2019, Tony nominee Damon Daunno as “Curly”, Tony winner Ali Stroker as “Ado Annie”, Rebecca Naomi Jones as “Laurey”, and the cast of the most recently acclaimed Award winning revival perform a medley of 2 of the musical’s notable songs….. I CAIN’T SAY NO and the beloved title song itself.
Rodgers & Hammerstein’s Oklahoma! was originally first conceived in 1931. The Theatre Guild produced a production of Lynn Riggs’s play Green Grow the Lilacs which was a huge flop. 10 years after that production, Guild producer Theresa Helburn went to see a summer-stock production which featured traditional folk songs and square dances. At the same time The Guild was dealing with financial troubles. She decided to try to revive the Guild by putting on a production of GREEN GROW THE LILACS as a musical. From there, she called on the acclaimed composers Richard Rodgers and his initial partner Lorenz Hart. At the time, Rodgers and Hart were going their separate ways due to Hart having drinking problems and becoming unreliable. Rodgers then came across College friend Oscar Hammerstein, II (who at the time was known with his initial partner Jerome Kern for writing the first major Book Musical SHOWBOAT) and began writing together. While writing the show, Rodgers & Hammerstein along with Theresa Helburn began to find the perfect creative team. They hired director Rouben Mamoulian and most notably choreographer Agnes Demille to create one of the most iconic scenes in the entire musical that we know today…. the 15 minute end of Act 1 DREAM BALLET (the moment when the young farm girl “Laurey” has a terrifying nightmare about the 2 men after her heart… the heartthrob cowboy “Curly” and the abusive hardhand “Jud Fry”).
Under its original title AWAY WE GO, the show originally had its world premiere at the Shubert Theatre in New Haven, CT. Critics gave the production negative feedback. Producer Mike Todd walked out during the intermission saying the show has “No legs, no jokes, no chance.”. However the audiences in both New Heaven and then later in Boston raved it. After the tryouts, the entire creative team went back to New York going through numerous changes before the official Broadway opening. The biggest change of all was more comedic dialogue and adding in a whole new song which the show (thanks to a chorus member) would be renamed to what it is today…. OKLAHOMA.
Rodgers & Hammerstein’s OKLAHOMA! officially opened on Broadway in the Spring of 1943 at the St. James Theatre. It went on to become a surprising massive box office smash running for 2,212 performances. Ticket sales were so impossible to get when it first came out. In addition, our troops who served our country during both World Wars would get free tickets. Also OKLAHOMA became the first major musical ever to produce an original cast recording. Under the direction of Rouben Mamoulian and choreography by Agnes deMille, the cast consisted of….
Alfred Drake (later Jack Kilty, Howard Keel, Harry Stockwell, and Bob Kennedy) as “Curly”,
Joan Roberts (later Mary Hatcher, Iva Withers, Evelyn Wyckoff, Carolyn Tanner, and Betty Jane Watson) as “Laurey”,
Howard daSilva (later Richard Rober, Murvyn Vye, and Bruce Hamilton) as “Jud Fry”,
Betty Garde (later Ruth Weston and Edith Gresham) as “Aunt Eller”,
Celeste Holm (later Vivan Allan, Shelley Winters, Edna Skinner, and Bonita Primrose) as “Ado Annie”,
Lee Dixon (later Tom Avera, Paul Crabtree, James Parnell, and Jack Kitty) as “Will Parker”,
Joseph Buloff (later Max Willienz, Mark Windheim, Herbert Berghof, and Guy Reenie) as “Ali Hakim”.
and more.
The original staging of OKLAHOMA did not receive any Tony Awards because the Tonys were actually not developed till 1946.
Following the success of its original Broadway run, it went on to become a worldwide hit in London’s West End, Australia, and everywhere.
OKLAHOMA was later revived 5 times starting in 1951 at the Broadway Theatre running for 100 performances. Featuring the original creative team, this cast featured….
Ridge Bond as “Curly”,
Patricia Northrop as “Laurey”,
Henry Clarke as “Jud Fry”,
Mary Marlo as “Aunt Eller”,
Jacqueline Sundt as “Ado Annie”,
Walter Donahue as “Will Parker”,
Jerry Mann as “Ali Hakim”,
and more.
This engagement did not receive any Tony Award nominations or wins.
The 2nd revival was in 1953 for a brief stint at New York City Center (in honor of the musical’s 10th Anniversary) for 40 performances. With the same original creative team once again, this cast consisted of…
Ridge Bond as “Curly”,
Florence Henderson as “Laurey”,
Alfred Cibelli, Jr. as “Jud Fry”,
Mary Marlo as “Aunt Eller”,
Barbara Cook as “Ado Annie”,
Harris Hawkins as “Will Parker”,
David Le Grant as “Ali Hakim”.
and more
This engagement did not receive any Tony Award nominations or wins either.
The 3rd revival was in 1979 at Broadway’s Palace Theatre for 293 performances. Under the direction of William Hammerstein and the original Agnes DeMille choreography, this cast featured…
Laurence Guittard (later Joel Higgins) as “Curly”,
Christine Andreas as “Laurey”,
Martin Vidnovic (later David Brummel) as “Jud Fry”,
Mary Wickes as “Aunt Eller”,
Christine Ebersole (later Susan Bigelow and Catherine Cox) as “Ado Annie”,
Harry Groener as “Will Parker”,
Bruce Adler as “Ali Hakim”,
and more.
This production received 2 Tony Award nominations that year for both BEST LEADING ACTRESS IN A MUSICAL (for Andreas) and BEST FETURED ACTRESS IN A MUSICAL (for Ebersole) but lost both categories.
The 4th Broadway revival of OKLAHOMA came in 2002 based on a critically acclaimed 1998 production that played London’s National Theatre. It played Broadway’s Gershwin Theatre for a total of 388 performances. This production was well known for having the real actors who play the roles of “Curly”, “Laurey”, and “Jud” to dance in the musical’s Dream Ballet scene. In most productions, the Ballet is done by the Ensemble serving as the double for “Curly”, “Laurey”, and “Jud”. Under the direction of Sir Trevor Nunn and choreography by Susan Stroman, the cast consisted of….
Patrick Wilson (later Stephen Buntrock) as “Curly”,
Josefina Gabrielle (later Amy Bodnar) as “Laurey”,
Tony winner Shuler Hensley (later the late Merwin Foard) as “Jud Fry”,
Andrea Martin (later the late Patty Duke) as “Aunt Eller”,
Jessica Boevers as “Ado Annie”,
Justin Bohon as “Will Parker”,
Aasif Mandvi as “Ali Hakim”.
and more.
The production received 7 Tony Award nominations that same year. It took home only 1 for BEST FEATURED ACTOR IN A MUSICAL (for Shuler Hensley).
Most recently, OKLAHOMA returned to Broadway with a limited engagement new contemporary updated revival. This production originally debuted at Brooklyn’s St. Ann’s Warehouse. It seriously was not your typical rendition of the iconic musical. It is done more with an intimate staging as if you’re in a community hall… very gritty and intense staging. Some of the dramatic moments also have been tweaked. The score has been rearranged with more of a country vibe to the story telling. There is moments during the show where chili and cornbread is made on stage and served to the audience during the intermission. This revival played at Broadway’s Circle in the Square Theatre for a total of 350 performances. Under the direction of Daniel Fisher and choreography by John Heginbotham, the cast features…
Damon Daunno as “Curly”,
Rebecca Naomi Jones as “Laurey”,
Patrick Vaill as “Jud Fry”,
Tony nominee Mary Testa as “Aunt Eller”,
Ali Stroker as “Ado Annie”,
James Davis as “Will Parker”,
Will Brill as “Ali Hakim”.
And more.
This new revival of OKLAHOMA was nominated for 8 Tony Awards winning 2 for BEST REVIVAL OF A MUSICAL and BEST FEATURED ACTRESS IN A MUSICAL (for Ali Stoker who made history as the first woman BOTH in a wheelchair to BOTH be ON Broadway and win a Tony Award).
Not only was OKLAHOMA a big hit on stage, it was captured on film TWICE.
The original film was released in 1955. It became well known as one of the greatest movie musicals of all time earning rave reviews and receiving 2 Oscars for Best Score and Best Sound. Under the direction of Fred Zinnemann and the iconic Agnes Demille choreography, the film cast starred…
Gordon MacRae as “Curly”,
Shirley Jones Ingels (in her film debut) as “Laurey”,
Rod Steiger as “Jud Fry”,
Charlotte Greenwood as “Aunt Eller”,
Gloria Grahame as “Ado Annie”,
Gene Nelson as “Will Parker”,
Eddie Albert as “Ali Hakim”.
and more.
The recent filmed version of OKLAHOMA was released in 1999. This version was a filmed presentation of the 1998 National Theatre production in London (that went to Broadway in 2002). During their days before the evening performances, the entire London cast would head over to a London soundstage filming the entire show. Meanwhile, the audience was actually pre-recorded at a later performance of the show. It was originally made for video in the UK back in 1999 before later being aired in America in 2003 on PBS’ Award winning series Great Performances. The filmed London cast starred…
Hugh Jackman (in his initial International debut) as “Curly”,
Josefina Gabrielle as “Laurey”,
Shuler Hensley as “Jud Fry”,
Maureen Lipman as “Aunt Eller”,
Vicki Simon as “Ado Annie”,
Jimmy Johnston as “Will Parker”,
Peter Polycarpou as “Ali Hakim”,
And more.
Today, OKLAHOMA is a popular musical performed in schools, community, and regional theaters everywhere.
Isn’t this musical still DOIN’ FINE after over 75 years?
How about that performance?

SPRINGSTEEN ON BROADWAY ends limited ENCORE engagement today at the St. James Theatre!!!

See the source image
See the source image
Today is a very bittersweet day for Broadway as the legendary Bruce Springsteen ends his ENCORE summer engagement of his acclaimed acoustic solo show SPRINGSTEEN ON BROADWAY at the St. James Theatre. This encore engagement re-opened Broadway back in June making history as the first show to be performed in a Broadway Theater since March 2020.
If you missed it live, no worries. You can also watch the proshot performance of SPRINGSTEEN ON BROADWAY during its original 2017 engagement at the Walter Kerr Theatre on Netflix.
Happy Trails to THE BOSS!!!
Thank you for getting things on the Great Bright Way back up!!
Who has seen this show?!!