NYBT TOP 50 TONY AWARDS COUNTDOWN: #39 – GYPSY

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RISE & SHINE BROADWAY FANS!! It’s 39 DAYS AWAY till Broadway’s biggest night of the year…. The 74th Annual Tony Awards. Our TOP 50 TONY AWARDS COUNTDOWN continues with more Broadway powerhouse performances from the past telecasts. Seriously, this is getting our anticipation in the air and also celebrating the return of Live Theater to the Great Bright Way.
At # 39 on the countdown, we have one of the most iconic musicals ever written. It follows the story of one of the craziest, bossiest, and no nonsense stage mothers of all time…. “Rose Thompson Hovick” (aka “Mama Rose”). We are talking about GYPSY!!! Based on a memoir by Rose Louise Hovick (aka Gypsy Rose Lee, the famous Vaudeville stripper in the world), the show features a score by Jule Styne and Stephen Sondheim and a book by Arthur Laurents.
From the 2008 telecast, Tony winners Patti LuPone as “Mama Rose”, Laura Benanti as “Louise”, and Boyd Gaines as “Herbie” from that year’s recent Broadway revival brings down the house with a roof-shaking performance of one of the musical’s signature tunes EVERYTHING’S COMING UP ROSES.
GYPSY originally was conceived as a project by producer David Merrick and written for Ethel Merman after reading Gypsy Rose Lee’s memoir. After being fascinated by a certain chapter, he approached Lee in obtaining the rights to adapt her story into a stage musical. With book writer Arthur Laurents and composer Stephen Sondheim (following the success of West Side Story) and hiring Jule Styne (by Merman’s request) and a rocky struggle with finding more people, the team began work on the show.
GYPSY originally premiered on Broadway in 1959 at the Broadway Theatre (and later transferred to the Imperial Theatre) for 2 previews and 702 performances. Under the direction and choreography of Jerome Robbins, the original production starred….
the legendary first belter of Musical Theatre, Ethel Merman, as “Mama Rose”
Sandra Church (later Julienne Marie) as “Louise”,
Lane Bradbury as “June”,
And
Jack Klugman as “Herbie.”
It was nominated for 8 Tony Awards in 1960 including BEST MUSICAL, but lost all of its categories.
Following the success of the original Broadway run, GYPSY went on to tour across America and around the world. The show was later revived on Broadway four times.
It first debuted in London’s West End in 1974. Due to its overwhelming success, the production transferred overseas touring North America and then eventually made its way to Broadway. It played the Winter Garden Theatre for a limited run of 4 previews and 124 regular performances. Under the direction of Arthur Laurents and choreographed by Robert Tucker (still playing tribute to Jerome Robbins staging), the first revival starred…
the legendary Dame Angela Lansbury as “Mama Rose,”
Zan Charisse as “Louise,”
Maureen Moore as “June”,
and
Rex Robbinson as “Herbie.”
It was nominated for 3 Tony Awards in 1975 winning only 1 for BEST LEADING ACTRESS IN A MUSICAL (for Angela Lansbury).
The second Broadway revival happened in 1989. Following a brief pre-Broadway tour across America, this production played the St. James Theatre (and later transferring to the Marquis Theatre) for 35 previews and 582 regular performances. Under the direction once again by Arthur Laurents and the choreography re-staged by Bonnie Walker, the cast featured…
Tyne Daly (later Linda Lavin) as “Mama Rose,”
Crista Moore as “Louise,”
Tracy Venner as “June”,
and
Jonathan Hadary (later Jamie Ross) as “Herbie.”
It was nominated for 4 Tony Awards in 1990, winning 2 for BEST REVIVAL OF A MUSICAL and BEST LEADING ACTRESS IN A MUSICAL (for Tyne Daly).
The third Broadway revival happened in 2003 playing the Shubert Theatre for 33 previews and 451 regular performances. Under the direction of Sam Mendes and choreography by Jerry Mitchell, this cast starred…
Bernadette Peters (who previously appeared as “Baby June” in the original production’s first National Tour and later temporary Maureen Moore) taking on the role of “Mama Rose”,,
Tammy Blanchard as “Louise,”
Kate Reinders as “June”,
and
John Dossett as “Herbie.”
It was nominated for 4 Tony Awards that same year including BEST REVIVAL OF A MUSICAL and BEST LEADING ACTRESS IN A MUSICAL (for Bernadette Peters). However, it lost all the categories.
The most recent Broadway revival of GYPSY happened in 2008. Following a triumphant Summer engagement at New York City Center part of its ENCORES season. The show returned to the St. James Theatre for 27 previews and 332 regular performances. Under the direction once again by Arthur Laurents and choreography re-staged by Bonnie Walker, the cast starred….
Patti LuPone as “Mama Rose”,
Laura Benanti as “Louise”,
Leigh Ann Larkin as “June”,
and
Boyd Gaines as “Herbie”.
This revival was nominated for 7 Tony Awards winning 3 for BEST LEADING ACTRESS, BEST FEATURED ACTOR, and BEST FEATURED ACTRESS IN A MUSICAL (for Patti LuPone, Boyd Gaines, and Laura Benanti).
FUN FACT: That most recent revival was well known for a little onstage drama that happened on the second-to-last night before it closed. At the January 10th, 2009 evening performance during the show’s finale number ROSE’S TURN, a pair of audience members were taking flashed photographs which is completely illegal at a Broadway show. The flashes almost caused LuPone to trip before knowing that ENOUGH IS ENOUGH!!! She stopped the show, went out into the audience, screamed at the illegal photographers, and kicked them out. From there, she started the number all over. Someone at the same time sneaked audio of that incident, which went viral on YouTube.
GYPSY was previously rumored to return to Broadway with a fifth revival based on its recent 2016 West End production that swept the Olivier Awards. It was set to star Imelda Staunton as “Mama Rose”. However, nothing ever came of it.
GYPSY continues to be a popular musical done in schools, community, and regional theaters around the world.
Not only was this show a smash on stage, GYPSY was captured on film 3 TIMES!!!
The original film was released in 1962 from Warner Bros. Pictures. Under the direction of Mervin LeRoy, the cast was led by….
Rosalind Russell as “Mama Rose”,
Natalie Wood as “Louise”,
Ann Jillian as “June”,
and
Carl Madden as “Herbie”.
That original film was a huge box office success. It was nominated for various Awards including 3 Academy Awards and 6 Golden Globes (winning only 1 for BEST ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL (for Rosalind Russell).
GYPSY’s 2nd screen makeover happened in 1993 as a film-for TV musical. Under the direction of Emile Ardolino, the cast was led by….
Bette Midler as “Mama Rose”,
Cynthia Gibb as “Louise”,
Jennifer Rae Beck as “June”,
And
Peter Riegert as “Herbie”.
Also earning critical praise, this TV movie was nominated for various Awards including 12 Emmy Awards (winning 1 for OUTSTANDING INDIVIDUAL ACHIEVEMENT IN MUSIC DIRECTION) and several Golden Globes (winning several including BEST ACTRESS IN A MINISERIES OR TV FILM for (Bette Midler).
The most recently captured presentation was a filmed performance of the 2016 West End revival (that was rumored to come to Broadway). It aired originally in the UK before later debuting here in the States on PBS’ Award winning Great Performances. Under the direction of Jonathan Kent, the cast was led by…
Imelda Staunton as “Mama Rose”,
Lara Pulver as “Louise”,
Gemma Sutton as “June”,
And
Peter Davison as “Herbie”.
GYPSY is truly the ultimate love letter to show business!!
Doesn’t this musical make you wanna shout “SING OUT LOUISE”??!!!

NYBT TOP 50 TONY AWARDS COUNTDOWN: # 40 – CONTACT

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"Contact" Musical by Susan Stroman at 2000 Tony Awards

WHAT’S UP BROADWAY FANS?!! Things are about to get hot as we are celebrating the return of Live Theater and Broadway’s biggest night!!! The 74th Annual Tony Awards are just 40 DAYS AWAY!!! We at New York Broadway Tours are continuing to get our groove going again each morning playing you our favorite performances from previous telecasts on our TOP 50 TONY AWARDS COUNTDOWN!!! Are you ready for more toe-tapping performances?
At # 40 on our countdown is a show that is truly a celebration of something we can all relate to…. The feeling of wanting to have that strong connection with someone and fall in love. This is CONTACT. Created and conceived by Susan Stroman, this is NOT your traditional Broadway Musical. This show is mainly told as a “Dance Play” with all the music pre-recorded in 3 one-acts consisting of….
Act 1 is entitled SWINGING – It’s a contact improvisational dance inspired by Fragonard’s painting THE SWING. Set in an 18th-century French forest clearing, it follows a servant and his master wanting to win the heart of the young lady on the swing. Much of the action takes place on a moving swing. Its themed music features a beautiful rendition of Rodgers & Hart‘s MY HEART STOOD STILL played by Stéphane Grappelli.
Act 2 is entitled DID YOU MOVE – Set in Queens, New York at an Italian Restaurant in the year 1954, the story follows a “not-happy” marriage of a small-time gangster and his wife. There, the wife dreams of the day wanting to escape her abusive husband through dance. It’s themed music features Edvard Greig’s ANITRA’S DANCE, Tchaikovsky’s WALTZ FROM EUGENE ONEGIN, and Bitzet’s FARANDOLE….. all recorded by the New York Philharmonic and conducted by one of Broadway’s very own Leonard Bernstein.
And
Act 3 is the show’s official title CONTACT – Set in Manhattan in the present day, it follows the lives of 2 Manhattan apartment dwellers at a crossroads. At a bar, one of the men is smitten by a beautiful woman in a yellow dress. In order to win her heart, the man learns to gain the confidence in making contact with another human being. It’s themed music features a lot of contemporary popular pop/rock hits along with Jazz standards including Squirrel Nut Zippers’s PUT A LID ON IT, Dion DiMucci‘s legendary RUNAROUND SUE, Prima’s SING, SING, SING, and so much more.
From the 2000 telecast, here is the company performing one of the musical’s big dance showstoppers. From that 3rd act, this is cast dancing it out to Robert Palmer’s signature 1988 song SIMPLY IRRESISTIBLE.
CONTACT was first conceived in the mid 90’s by Susan Stroman and her late husband Mike Ockrent. It was loosely inspired by an event that Stroman experienced at a dance club in the Meat Market district. There, she noticed a woman in a yellow dress believing “She’s gonna change someone’s life tonight”. Inspired by that one event, it gave the duo the idea of creating a show told through dance of the feeling’s people have when being in contact with other people.
Following a brief early development lab, the show officially arrived in our New York Theater scene at Lincoln Center Theater in the Fall of 1999. It first started downstairs at LCT’s OFF-Broadway home at the Mitzi E. Newhouse Theater. It would later move upstairs LCT’s bigger ON-Broadway house at the Vivian Beaumont Theatre in the Spring of 2000 running for a complete total of 1,041 performances. Under the direction and choreography of Susan Stroman, the cast featured….
Tony Award winner Boyd Gaines (later Alan Campbell and John Bolton),
Broadway veteran Seán Martin Hingston,
Tony Award nominee Deborah Yates (later Colleen Dunn),
and
Tony Award winner Karen Ziemba (later Charlotte d’Amboise).
The show was an instant smash hit earning critical acclaim and taking home glory at Awards season. The show was nominated for 7 Tony Awards in 2000 winning 4 including BEST MUSICAL.
FUN FACT: Despite the show taking home BEST MUSICAL category in all its Awards (the Tonys, the Drama Desk, and the Outer Circle Critics), controversy sparked over the win. The reason is because this musical used PRE-RECORDED MUSIC & NO LIVE SINGING. The Tonys committee would go on to create a brand new category…. BEST SPECIAL THEATRICAL EVENT. That nomination category would be presented for only 10 years and retired in 2009.
With the success of the Broadway production, CONTACT would later dance its way with several companies around the world including London’s West End. Hungary, Poland, China, and Korea. It later launched several Regional productions in North America.
CONTACT was also captured on film in the Fall of 2002. The Broadway production’s legendary final performance was recorded for PBS‘ Award winning series Live From Lincoln Center winning a Primetime Emmy Award for OUTSTANDING CLASSICAL MUSIC-DANCE PROGRAM.
How high energetic was that performance?!!!!

(1) “Contact” Musical by Susan Stroman at 2000 Tony Awards – YouTube

NYBT TOP 50 TONY AWARDS COUNTDOWN: #42 – ANYTHING GOES

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AHOY BROADWAY FANS!! Come on board with your friends at New York Broadway Tours!! We are celebrating the return of Live Theater and Broadway’s biggest night of the year just 42 DAYS AWAY. We are talking about The 74th Annual Tony Awards. We have more of our favorite showstoppers from previous telecasts coming on our TOP 50 TONY AWARDS COUNTDOWN. Are you ready to sail with us as we belt and tap our hearts out?!!!
Since we’re on the topic of sailing, our choice at # 42 on our countdown takes us aboard a ship traveling from New York to London. There, we meet a stowaway in love with a young heiress, who is engaged to a wealthy and stuffy lord. Along the way, a nightclub singer and a second-glass gangster join forces and come to the stowaway’s aid helping him win the heart of the girl of his dreams. This is Anything Goes. This musical features an iconic score by Cole Porter (that have gone on to become Great American Songbook standards) along with a book by Guy Bolton and P. G. Wodehouse.
From the 2011 telecast, Tony Award winner Sutton Foster as “Reno Sweeney” and the cast of the recent Roundabout Theatre Company revival tap their hearts out performing the musical’s Act 1 finale title song itself ANYTHING GOES.
ANYTHING GOES was originally first conceived in the early 1930’s by producer Vinton Freedley. He was living on a boat and officially left the US to avoid his creditors. At the time, he wanted to create a musical specially for one of the greatest first major powerhouse belters of that era…. Ethel Merman. With hiring P.G. Wodehouse and Guy Bolton writing the book and hiring Cole Porter, work on the show began. Its early stages include various changes in the show title (CRAZY WEEK, HARD TO GET, and eventually what it is today as ANYTHING GOES) and the storyline.
FUN FACT: The original storyline of ANYTHING GOES originally involved a bomb threat, a shipwreck, and human trafficking on a desert island. However, after news of the SS Morro Castle sinking in 1934 (which caused over 138 people killed), they decided to last minute change the script so it would NOT scare the audience and think of that horrible disaster.
ANYTHING GOES made its Broadway debut in 1934 at the Alvin Theatre (now the Neil Simon Theatre) where it ran for 420 performances. Under the direction of Howard Lindsay with choreography by Robert Alton, the original cast was led by….
the late and legendary Ethel Merman in one of her many signature performances (later Benay Venuta) as “Reno Sweeney”,
Victor Moore as “Moonface Martin”,
May Abbey as “Evangeline Harcourt”,
William Gaxton as “Billy Crocker”,
Bettina Hall as “Hope Harcourt”,
Leslie Barrie as “Lord Evelyn Oakleigh”,
and more.
It was well received by Theatergoers.
The original Broadway production of ANYTHING GOES did not receive any Tony Awards because those Awards were NOT created until 1947.
A year after its Broadway debut, the show went on to sail to London’s West End playing the Palace Theatre for only 261 performances.
The show would later go on to earn even a higher well received audience with its various revivals especially in our New York Theater scene.
ANYTHING GOES would later be revived 3 times here in New York City. In addition during each run of the show, the libretto kept getting revised. New dialogue was added in, several songs from cut or lost a verse of a song. In addition, songs from other Cole Porter musicals were recycled.
The first major New York revival happened in 1962. However, it was an OFF Broadway revival. Under the direction of Lawrence Kasha and Choreography by Ronald Fields, this production played the Orpheum Theatre. It ran for 239 performances. This cast consisted of…
Eileen Rodgers as “Reno Sweeney”,
Mickey Deems as “Moonface Martin”,
Lois Holms as “Evangeline Harcourt”,
Hal Linden as “Billy Crocker”,
Barbara Lang as “Hope Harcourt”,
Kenneth Mars as “Lord Evelyn Oakleigh”,
and more.
There were no major Awards for this Off Broadway run.
The 2nd revival (and first major ON Broadway revival) happened in 1987 playing the Vivian Beaumont at Lincoln Center Theater running for 784 performances. Under the direction of Jerry Zaks and choreography by Michael Smuin, the cast featured…
Tony winner Patti LuPone (later Leslie Uggams and Linda Hart) as “Reno Sweeney”,
Bill McCutcheon as “Moonface Martin”,
Anne Francine as “Evangeline Harcourt”,
Tony nominee Howard McGillin as “Billy Crocker”,
Kathleen Mahony-Bennett as “Hope Harcourt”.
Anthony Heald as “Lord Evelyn Oakleigh”,
and more.
This revival was nominated for 10 Tony Awards in 1988 winning 3 including BEST REVIVAL OF A MUSICAL.
FUN FACT: This revival was very sentimental for Patti LuPone. On a dark Monday night from the show, she married her longtime husband Matthew Johnston. The ceremony was held on the stage of the Vivian Beaumont Theatre. The set was fully updated with the set of the wedding scene from the show. It also included real life doves flying over the auditorium.
With the success of the 1987 Broadway revival, the production transferred to London’s West End with Elaine Paige as “Rene Sweeney” at the Prince Edward Theatre. It also made its way to Australia.
The most recent revival of ANYTHING GOES happened in 2011 from Roundabout Theatre Company playing the Stephen Sondheim Theatre. The run was initially scheduled to run for 4 months. However due to an overwhelming response, the production was extended for an entire year. When it closed, the revival played a total of 553 performances. Under the direction and choreography by Kathleen Marshall, this cast included….
2 time Tony winner Sutton Foster (later Stephanie J Blockk) as “Reno Sweeney”,
Tony and Oscar winner Joel Grey (later Robert Creighton) as “Moonface Martin”,
Jessica Walter as “Evangeline Harcourt”,
Colin Donnell (later Bill English) as “Billy Crocker”,
2 time Tony nominee Laura Osnes (later Erin Mackey) as “Hope Harcourt”,
Tony and Olivier nominee Adam Godley as “Lord Evelyn Oakleigh”,
and more.
That most recent revival was nominated for 9 Tony Awards that same year winning 3 including BEST REVIVAL OF A MUSICAL.
The success of the Roundabout Theatre Company revival, it embarked on a full year-long North American National Tour with Rachel York as “Reno Sweeney”.
Currently, this recent acclaimed Roundabout production made its long awaited debut overseas 10 YEARS LATER in London’s West End. The cast is led once again by Sutton Foster BOTH reprising her performance as “Reno Sweeney” and making her long awaited West End debut. It’s been one of the first few musicals to be performed since Live Theater has been shut down due to the COVID-19 pandemic, It’s playing now through October 17th, 2021 at the Barbican Theatre.
ANYTHING GOES today is a popular show still performed in schools, community, and regional theatres worldwide.
Along with its success on stage, ANYTHING GOES was captured on film TWICE!!! However, it has 2 separate storylines. The one that was more close to the stage musical was released in 1936. From Paramount Pictures and directed by Lewis Milestone, the cast was led by….
Ethel Merman reprising her Broadway performance as “Reno Sweeney”,
Charles Ruggles as “Moonface Martin”,
Bing Crosby as “Billy Crocker”
Ida Lupino as “Hope Harcourt”.
Arthur Treacher as Sir Evelyn Oakleigh,
and more.
Later on another version of ANYTHING GOES was released in 1956. However, it was NOT based on the stage show. It was a completely different story about two entertainers scheduled to appear in a Broadway show traveling to Europe, where each discovers the perfect leading lady for the female role. Ironically it was also released from Paramount Pictures. It still featured several of the notable tunes from the musical.
Because of the previous records, the original 1936 film later had a title change as TOPS IS THE LIMIT.
How about those DE-LOVELY toe-tapping sailors?!!!!

NYBT TOP 50 TONY AWARDS: # 43 – THE WILL ROGERS FOLLIES

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HOWDY BROADWAY FANS!!!! Just another 43 DAYS AWAY for Broadway’s ultimate celebration and WELCOME HOME party. We are talking about the 74th Annual Tony Awards. With so much anticipation in the air, your friendly guides here at New York Broadway Tours have more of our favorite Musical Numbers from previous telecasts on our TOP 50 TONY AWARDS COUNTDOWN. Broadway has had its history on unforgettable masterminds over the years and here’s to the many more coming.
Speaking of masterminds, our pick at # 43 today on our countdown celebrates the legacy of a genius. This man has wowed both stage and screen, was a humorist, a headliner for The Ziegfeld Follies, and was not afraid to share his story through big production Musical Numbers. This is the story of THE WILL ROGERS FOLLIES!!!! This show features an original score by Betty Comden and Adolph Green along with a book by Peter Stone.
From the 1991 telecast, Keith Carradine in the titular role of “Will Rogers” and the cast perform a medley of the show’s opening number WILL-A-MANIA and FAVORITE SON.
THE WILL ROGERS FOLLIES opened on Broadway in 1991 at the Palace Theatre running for 33 previews and 981 regular performances. Under the direction and choreography by Tommy Tune, the cast was led by…..
Keith Carradine (later Mac Davis and Larry Gatlin) as “Will Rogers”,
Dee Hoty (later Nancy Ringham) as “Betty Blake”,
Cady Huffman (later Marla Maples, Susan Anton, Lisa Niemi, and Kimberley Hester) as “Ziegfeld’s Favorite”,
Dick Latessa (later Robert Fitch and Mickey Rooney) as “Clem Rogers”,
And more.
The show was nominated for 11 Tony Awards that year. It took home 6 including BEST MUSICAL. It also won 2 Drama Desks for OUTSTANDING CHOREOGRAPHY and OUTSTANDING MUSIC.
THE WILL ROGERS FOLLIES later embarked on several National Tours. No revival or other companies around the world have put on this musical lately. Hopefully, there is a revival down the line somewhere.
How high kicking was that performance?!!!!

NYBT TOP 50 TONY AWARDS COUNTDOWN: # 45 – THE SOUND OF MUSIC

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HELLO BROADWAY FANS! Just another morning of waking up to our favorite show tunes as we continue to get closer to Broadway’s biggest night of the year. The 74th Annual Tony Awards is only 45 DAYS AWAY!!!. Your friendly neighborhood guides at New York Broadway Tours are continuing to get us hyped plus celebrating the return of Live Theatre with our TOP 50 TONY AWARDS COUNTDOWN. Are you ready for more Broadway favorites?!!!
At # 45 on our countdown, we have an iconic musical that is very special to the world. You may consider it as one of our FAVORITE THINGS. We are about to take you to Austria in the year of 1938 at the time of the annexation of Austria into Nazi Germany (a.k.a. The Anschluss). It mainly centers on a young woman who is sent to the home of a widowed and retired naval officer becoming the governess to his seven children After bringing love and music into family’s lives, she marries the officer, gets together with the children, and helps them finds a way to survive the loss of their homeland. Yup, THE HILLS ARE ALIVE forever and for always with The Sound Of Music. The musical features a renowned score by Richard Rodgers & Oscar Hammerstein II (marking it the last together before his death) and a book by Howard Lindsay and Robert Crouse. It’s based on the real life 1949 memoir by the real Maria Von Trapp entitled THE STORY OF THE TRAPP FAMILY SINGERS.
From the 1998 telecast, the recently late Rebecca Luker as “Maria Von Trapp”, Michael Siberry as Captain von Trapp, Patti Cohenhour as “Mother Abyss”, and the cast of that recent Broadway revival perform a medley of 3 of the musical’s notable Rodgers & Hammerstein’s anthems including CLIMB EVERY MOUNTAIN, DO-RE-MI, and the titular song itself THE SOUND OF MUSIC.
The Sound of Music was first conceived in 1956. After watching a German film about the life of the Von Trapp Family Singers, stage director Vincent J. Donehue envisioned it as a musical written for Broadway star Mary Martin. Producers Leland Hayward and Richard Halliday (Martin’s husband) agreed. Originally, it was developed as a straight play written by the playwriting team of Howard Lindsay and Robert Crouse. It would include music from the real Von Trapp family’s singing repertoire plus adding 2 original songs by Richard Rodgers and Oscar Hammerstein II (who already were huge with many of their hits including OKLAHOMA!, Carousel, The King and I, and South Pacific). However, the whole team agreed in the end that the story should be a full-scale original musical. From there, the work began. Rodgers & Hammerstein along with Lindsay and Crouse started researching more about the era of the story. Facts on the Von Trapp’s family history was altered including the musical’s climactic dramatic ending where they all walk up the Austrian mountains to Switzerland on foot.
The show had its world premiere out-of-town tryout in October 1959 in New Haven, CT. After a brief 8 performance engagement, it then made its way to Boston, MA the following month.
Finally in November 1959, THE SOUND OF MUSIC made its Broadway debut at the Lunt Fontanne Theatre before later transferring to the Mark Hellinger Theatre for 5 previews and 1,143 performances. It earned critical acclaim and rave reviews. Under the direction of Vincent J. Donehue, the cast was led by….
Mary Martin (later Martha Wright, Jeannie Carson, and Nancy Dussault) as “Maria Rainer Von Trapp”,
Theofore Bikel (later Donald Scott) as “Captain George von Trapp”,
Patricia Neway (later Lizabeth Pritchett and Elizabeth Howell) as “Mother Abyss”,
Marion Marlowe (later Lois Hunt) as “Elsa Schraeder”,
Kurt Kasznar as “Max Detweiler”,
Brian Davies as “Rolf Gruber”,
Lauri Peters as “Liesl Von Trapp”,
And more.
The original production of THE SOUND OF MUSIC was nominated for 9 Tony Awards in 1960. It took home 5 including BEST MUSICAL and BEST LEADING ACTRESS IN A MUSICAL (for Mary Martin).
THE SOUND OF MUSIC would also be a very bittersweet show especially for the legacy of Rodgers & Hammerstein. Just 9 months after the show opened on Broadway, Oscar Hammerstein II tragically passed away of Stomach Cancer at his home in Doylestown, PA. He was just 65 years old. The very last song he ever wrote with Richard Rodgers was the musical’s haunting anthem EDELWEISS during rehearsals.
With the success of the original production, THE SOUND OF MUSIC went on to CLIMB EVERY MOUNTAIN around the world. The show debuted overseas in London’s West End at the Palace Theatre where it beat Broadway, running the longest for 2, 385 performances. It would later be revived there TWICE both in 1981 at the Apollo Victoria Theatre and then recently in 2006 at The London Palladium (produced by Andrew Lloyd Webber and included a reality show to help find a newcomer for the role of “Maria”).
THE SOUND OF MUSIC was last revived here on Broadway in 1998. It played the Martin Beck Theatre (now the Al Hirschfeld Theatre) for 38 previews and 533 regular performances. Under the direction of Susan H. Schulman, the cast was led by….
The late Rebecca Luker (later Laura Benanti) as “Maria Rainer Von Trapp”,
Michael Siberry (later Richard Chamberlain and Dennis Parlato) as “Captain Georg von Trapp”,
Patti Cohenhour (later Jeanne Lehmann) as “Mother Abyss”,
Jan Maxwell (later Kay McClelland) as “Elsa Schraeder”,
Fred Applegate (later Patrick Quinn and Lenny Wolpe) as “Max Detweiler”,
Dashiell Eaves (later Ben Schaeffer) as “Rolf Gruber”,
Sara Zelle as “Liesl Von Trapp”,
And more.
That recent 1998 revival was nominated for only 1 Tony Award that year for BEST REVIVAL OF A MUSICAL. However, it lost the category.
Today, THE SOUND OF MUSIC continues to be performed all around the world. It has been done in schools, community, regional theaters, several touring productions around the world, and even various concert productions.
One of the show’s notable concert versions happened in the Big Apple back in 2012. It was held as a one night only production at New York’s famed Carnegie Halll. Under the direction of Gary Griffin, the cast was led by….
Laura Osnes as “Maria Rainer Von Trapp”,
Tony Goldwyn as “Captain Georg von Trapp”,
Stephanie Blythe as “Mother Abyss”,
Brooke Shields as “Elsa Schraeder”,
Patrick Page as “Max Detweiler”,
Nick Spangler as “Rolf Gruber”,
Mary Michael Patterson as “Liesl Von Trapp”,
And more.
Along with its success on stage, THE SOUND OF MUSIC was captured 3 TIMES on film. The first version is the legendary original movie that we all know in love from 20th Century Studios released in 1965. Costing $1.25 million for the licensing to produce the film, it went on to become one of the highest grossing films of all time surpassing 1939’s GONE WITH THE WIND breaking records in 90 different countries. The movie itself was known for filming BOTH in Los Angeles, CA and on location in Salzburg, Austria itself. Under the direction of Robert Wise, the cast legendary starred….
Julie Andrews as “Maria Rainer Von Trapp”,
Christopher Plummer (with Bill Lee’s singing voice) as “Captain Georg von Trapp”,
Peggy Wood as “Mother Abyss”,
Eleanor Parker as “Elsa Schraeder”,
Richard Haydyn as “Max Detweiler”,
Daniel Truhitte as “Rolf Gruber”,
Charmian Carr as “Liesl Von Trapp”,
And more.
The film went on to win various Awards including 2 Golden Globes and 5 Oscars….taking home the top prize for BEST PICTURE.
Today the original movie is still popular in households. It’s shown on Television TWICE a year including on ABC and Freeform both a week before Christmas and Easter.
THE SOUND OF MUSIC’s previous times on screen happened TWICE as successful live televised productions. This was a huge stomping ground as TV was starting to bring back the old holiday tradition from the 50’s, 60’s, and 70’s of doing live televised productions of classic Broadway musicals.
The first LIVE TV version of the musical happened here in the States back in 2012 on NBC. Filmed live on soundstage in Long Island, NY, directed by Rob Ashford and Beth McCarthy Miller plus produced by Craig Zadan and Neil Meron, it featured an all-star cast of stage, screen, and music favorites plus newcomers. The cast was led by….
Carrie Underwood as “Maria Rainer Von Trapp”,
Stephen Moyer as “Captain Georg von Trapp”,
Audra McDonald as “Mother Abyss”,
Laura Benanti (alumni of the 1998 revival) as “Elsa Schraeder”,
Christian Borle as “Max Detweiler”,
Michael Campayano as “Rolf Gruber”,
Ariane Reinhart as “Liesl Von Trapp”,
And more.
At first when this NBC Live production was announced, there was some backlash and controversy over the casting of Carrie Underwood as “Maria”. Mainly known from American Idol and being one of the most successful country singers, a lot of people (including still alive members of the original Von Trapp family believed) she didn’t have that Musical Theater training taking on an iconic role. However with advice from Julie Andrews, Underwood gave it her all wowing viewers with her performance. Reviews on the production were mixed.
NBC’S THE SOUND OF MUSIC LIVE was seen by 18.62 million viewers during that holiday season. It also went on to be nominated for several Emmy Awards in 2013 taking home 1 for OUTSTANDING TECHNICAL DIRECTION, CAMERAWORK, VIDEO CONTROL FOR A MINI SERIES, MOVIE OR SPECIAL.
3 years later, the UK did their own live televised version of the musical. This version was aired on the British channel ITV in December of 2015. Filmed live on a soundstage in London and directed by Coky Giedroyc and Richard Valentine, this cast was led by…
Kara Tointon as “Maria Rainer Von Trapp”,
Julian Ovendon as “Captain Georg von Trapp”,
Maria Friedman as “Mother Abyss”,
Katherine Kelly as “Elsa Schraeder”,
Alexander Armstrong as “Max Detweiler”,
Jon Tracy as “Rolf Gruber”,
Evelyn Hoskins as “Liesl Von Trapp”,
And more.
This version was in the UK with 3.82 million viewers. In addition, this UK version of THE SOUND OF MUSIC would eventually be seen here in the US on PBS as part of its Award winning Great Performances series.
The spirit and legacy of THE SOUND OF MUSIC still lives on!!
Isn’t this musical so timeless?!!

52nd TONY AWARDS THE SOUND OF MUSIC – YouTube